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https://www.vivacemusic.org/quiz

Sayaka Seki | Piano Faculty | Vivace International School of Music

Copyright © 2020 Vivace International School of Music. All rights reserved.

Q. What is Ear Training?

A. Ear training is a class that is particularly catered to enhance one's musical abilities, vocally, aurally and visually. Although this is a classroom setting, each student will actively participate and has an equal chance to sing and speak/tap rhythm in front of the class every week.

Q. And Theory?

A. In order to play a piece well with good interpretation, we must know everything that is on the music score first. Understanding terms/signs and musical concepts will help students think more logically, and it leads to a more effective practice and productive private lessons.

Q. What do students actually do in the class?

A. Singing and rhythm counting are the two main components of the class. Students will learn how to sing in solfege, which is the most common and global method to become familiar with musical notes at a young age. Students will also speak and tap a variety of rhythmic patterns that will help them pulse more accurately and steadily when playing their instrument. Other activities involve echo singing, echo tapping, identifying features and styles of music, dictation, 2-part voicing, sound recognition of instruments, etc.

Q. Why should students take the ear training class in addition to the private lesson?

A. Students will learn most of the things through their private teacher during private lessons. The ear training class reinforces the information that students receive in private lessons. By students being enrolled in ear training class and improving the ground work on note recognition and rhythm accuracy, private teachers can focus more on improving students' techniques, giving tips to sound better, and artistically inspiring students to get to the next level. Those who take both private lessons and ear training class progress at a much faster pace.

Q. Is there homework for this class?

A. Yes. It is essential for students to repeat and practice what we do in the class. However, the amount of the assignment is very moderate, and it will usually take less than 10 min a day, 4-5 days a week, to prepare for the next class. It will not Interfere the practice time of private lessons.

Q. Is this class ABRSM compatible?

A. Yes. Our ear training class is perfect for those who would like to improve on the aural skills of ABRSM practical exams, outside private lessons. The teachers will use aural skill books often to help students get familiar with the testing situation.

 

Update: Dec. 21, 2020


Q. How long should my child continue taking ET classes?

A. Great question! For private lessons, many people assume that children’s music study should continue until the end of high school unless they become a music-major. But in fact, studying music is a life-long journey. Professional musicians and teachers keep practicing and learning and always find a better way to perform. We have different levels of ET classes, so what we offer in the class is also unlimited. Please look at the chart below to see the accomplishment level according to years of ET classes taken.


1 semester

Students will learn an introductory level of solfege, music notation, and basic theory. Most rhythm work includes up to 8th notes.


1 year (Fall, Spring, Summer)

Students will start to feel more comfortable with solfege singing and their pitches become more stable and accurate. Rhythm work will expand to 16th notes. Equivalent to ABRSM Gr. 1 theory study.


1-2 years

Students can take more complicated solfege work to accurately differentiate subtle changes made by half steps in a phrase (E.g. Ab going to A natural). They will have knowledge of both major and minor keys for singing and theory work. Music notation may extend to 32nd and 64th notes. Equivalent to ABRSM Gr. 2-3 theory study.


2-3 years

Students will be able to confidently sight-read a moderate level of music with solfege. With a first pitch given by the piano, students will be able to stay in the key for a long time. The theory level is now at a point that students take a look at advanced music (E.g. Mozart sonata) and understand almost everything on the music score without looking up terms or signs, and they can figure out the rhythm on their own. Equivalent to ABRSM Gr. 3-5 theory study.


4 years +

Students will be working on the aural skills and theory equivalent to freshman-level music major.


Just like private lessons, some students progress very fast and the others need extra time to thoroughly understand what is taught in the class. The ET teachers assess how each student does in a semester, and some students move on to a higher level in the following semester or they may remain at the same level. Students need to show commitment to the class by completing homework on time and practicing regularly to move on to the next level. For young students, we usually take more time to explain things and may repeat the same work for weeks, so the pace may be a little slower than what is shown on the chart.


Q. My child is very shy and doesn’t like to sing. Can s/he still join the class?

A. Singing is mandatory for the ET class, so we are happy to give some tips that might help the situation!

● Since the parents’ presence is required for this class, the mother or father is welcome to sing along with the child until s/he feels comfortable singing alone.

● Before enrolling at the beginning of a semester, please observe a beginners’ ET class in the middle of a semester once to see what the class is like. Our ET classmates are very friendly and you can just watch instead of participating in the class.

● Before enrolling in the class, it would be helpful to watch some youtube for children’s songs and become familiar with some tunes.

● Please let your child know that being able to sing with good pitches is a necessary step to become a good musician regardless of the instrument the child studies.


Q. When is a good time to start Ear Training and Theory class?

A. We feel that it is more effective to start Ear Training and Theory class after a child already had at least one semester of private lessons. The difference between zero-music study and a semester of music study is really big in a classroom. A child should first learn the very basics from a private teacher, then ET teachers will reinforce the ideas in a group setting.


Q. How does a group class works in an online setting?

A. Just like private lessons, ET classes use the Zoom app. We recommend using a desktop or laptop for the class. ET teachers use a drawing pad/tablet to show the work on the screen. The teacher and the students are always showing the face even when the material is shared on the screen. When one student is performing (singing or clapping), the others will remain muted.


Q. Is this class ABRSM compatible?

A. Yes. Our ear training class is perfect for those who would like to improve on the aural skills of ABRSM practical exams, outside private lessons. The teachers will use aural skill books often to help students get familiar with the testing situation.


Due to Covid-19 and our online circumstances, ET classes are omitting some work of aural skills in preparation for ABRSM practical exams. The lag that sometimes happens due to Zoom connection makes it difficult to assess the accuracy of students’ answers, as some sections of the ABRSM aural skills test require a response in tempo. Instead, we are focusing more on work that students can answer with their own timing.

 

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For further info about:

  • Vivace Private Lessons (Piano, Violin, Viola, Cello, Double Bass, Guitar, Flute, Clarinet, Oboe, Bassoon, Voice and etc.)

  • Vivace Ear Training & Theory Class

  • Vivace Music History & Appreciation Class

  • Vivace Music Production Fundamentals


Please send an email to info@VivaceMusic.org or call +(713) 8822-169


ABOUT THE EVENT

Student Christmas Concert | Vivace International School of Music | ETKS

Presented by students of Ms. Sayaka Seki's Vivace Ear Training & Theory Class


The group of Ear Training students chose their favorite Christmas song and is here to bring you joy! The students study different instruments, but they are all singers in Ear Training class. Don't miss this wonderful evening!


TIME

Dress Rehearsal | Sound & Camera Check: 5:30-6:15 PM, Dec. 19, 2020

Student Christmas Concert | Vivace International School of Music | ETKS: 5:30-6:15 PM, Dec. 20, 2020


ADDRESS

Vivace Online: https://VivaceMusic.zoom.us

All performers will receive the event links and passwords 22 hours in advance. Please watch the video of Recital Logistics before the Sound & Camera Check, and contact us immediately if there is any repertoire information incorrect.


The audience, please sign-up to receive the link and password for the event:

https://youtu.be/Zcf45clKCjY

PROGRAM


Host: Daniel Ma


Emma Li - pianist

Auld Lang Syne - Traditional Folk Song


Kayden Wu - pianist

Jingle Bells - J. L. Pierpont


Milani Velez - pianist

Frosty the Snowman - Rollins & Nelson


Aaron Chen - pianist

Auld Lang Syne - Traditional Folk Song


Norah Xie - violinist

We Wish You a Merry Christmas - Traditional Carol


Julian James - pianist/ flutist/ drummer

It Came Upon the Midnight Clear - E. Sears


Leo Yao - guitarist

Jingle Bells - J. L. Pierpont


River Du - pianist/singer

Dance of the Sugar Plum Fairy - P. I. Tchaikovsky


Luffy Sun - pianist

Sleigh Ride - L. Anderson


Andy Li - pianist/singer

Walking in the Air - H. Blake


Sarah Wang - pianist

Winter Wonderland - Bernard & Smith


Lucas Gafford - pianist/clarinetist

What Child is This? - Traditional Carol

 

Please subscribe Vivace’s Facebook and YouTube channel as below to receive the latest posts of the performances and other events.


This is the 6th student recital of VMR 2020-21 Season. Welcome to the concert! Please sign-up to receive the link and password for the event: https://www.VivaceMusic.org/event

TIME

Dress Rehearsal | Sound & Camera Check: 4:00-5:00, Dec. 18, 2020

Vivace Monthly Recital Series | 2020-21 Season - VI: 4:00-5:00, Dec. 19, 2020


ADDRESS

Vivace Online: https://VivaceMusic.zoom.us

All performers will receive the event links and passwords 22 hours in advance.

Please watch the video of Recital Logistics before the Sound & Camera Check, and contact us immediately if there is any repertoire information incorrect.

https://youtu.be/Zcf45clKCjY

PROGRAM

Host: Catherine Wu

Santa Claus is Comin' to Town by J. F. Coots | Frosty the Snowman by Rollins and Nelson

Nathan Sun | Piano


The two grenadiers by Schumann

Devon Chan | Violin


Frosty the Snowman by Rollins and Nelson | Santa Claus is Comin' to Town

Kelsie Brosch | Piano


Minuet by L. Boccherini

Dylan Chan | Violin


Pachelbel Canon by Johann Pachelbel

Celina Ma | Piano


Minuet by L. Boccherini

Jocelyne Moreno | Cello


Bedtime Story by Khachaturian | German Dance in G by Beethoven

Sharon Fang | Piano


Gavotte by F.J.Gossec

Cadence Wang | Violin


Allegro Moderato by J.S. Bach

Sharon Fang | Cello


Concerto No.2 in G Major Op.13 3rd. Mvt. by F. Seitz

Jingfang Li | Violin


Sonata in C Major, Allegro by J. B. Breval

Noah Chan | Cello


Concerto in A minor, Op. 3 No. 6, 1st. Mvt. by A. Vivaldi, Arr. T. Nachez

Rainie Gu | Violin


Scherzo by Webster | Berceuse by Schubert

Emily Yi | Cello


Student's Concertino No. 4 by Adolf Huber

Annie Huang | Violin


Gavotte by J.B. Lully | Minuet in G by L. V. Beethoven

Alex Cheng | Cello


Student's Concerto NO.5 by F. Seitz

Angelina Tung | Violin


Deux Arabesques by Achille Claude Debussy No.1

Callie Li | Piano


Sonatina in G major Allegro risoluto by Antonin Dvorak

Sopfia Long | Violin


Concerto in G major No.3 First Mvt. by Mozart

Julie Song | Violin


Cello Concerto No. 1 in C Major, 1. Moderato by Joseph Haydn

Ray Cheng | Cello


Concerto in G Major No. 23 by G.Viotti

Vivian Stone | Violin


Sonatina Op. 29 for Clarinet and Piano (1951) 2nd Mvt. Andantino by Malcolm Arnold

Katherine Hwang | Clarinet


Deck the Halls

Amber Deng | Violin

Beiyi Deng | Piano

 

Please subscribe Vivace’s Facebook and YouTube channel as below to receive the latest posts of the performances and other events.

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